By 2001, Arulpragasam designed the cover for Elastica's last single "The Bitch Don't Work", and went on the road with the band to video document their tour. The tour's supporting act, electroclash artist Peaches, introduced Arulpragasam to the Roland MC-505 and encouraged her to make music, a medium in which Arulpragasam lacked confidence.[17][32] While holidaying together in Bequia in the Caribbean, Arulpragasam began experimenting with Frischmann's MC-505.[12][14] She adopted her stage name, "M.I.A.", standing for "Missing In Acton" during this time.[13] In her 2012 book Arulpragasam writes, "M.I.A. came to be because of my missing cousin. I wanted to make a film about where he was since he was M.I.A. (Missing in Action) in Sri Lanka. We were the same age, went to the same schools growing up. I was also living in Acton at the time. So I was living in Acton looking for my cousin missing in action."[35] Of her time in Bequia, she said "I started going out to this chicken shed with a sound system. You buy rum through a hatch and dance in the street. They convinced me to come to church where people sing so amazingly. But I couldn't clap along to hallelujah. I was out of rhythm. Someone said, 'What happened to Jesus? I saw you dancing last night and you were totally fine.' They stopped the service and taught me to clap in time. It was embarrassing".[15] Returning to West London, where she shared an apartment with Frischmann, she began working with a simple set-up (a second-hand 4-track tape machine, the MC-505, and a radio microphone), composing and recording a six-song demo tape that included "Lady Killa", "M.I.A.", and "Galang".[36][37]
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M.I.A. has become known for integrating her imagery of political violence with her music videos and her cover art. Her politically inspired art became recognised while she exhibited and published several of her brightly coloured stencils and paintings portraying the tiger, a symbol of Tamil nationalism, ethnic conflict in Sri Lanka and urban Britain in the early 2000s. Lyrics on Arular regarding her experiences of identity politics, poverty, revolution, gender and sexual stereotypes, war, and the conditions of working class in London were hailed as new and unorthodox, setting her apart from previous artists.[34][47] The album references the PLO and the Tamil independence movements and features culture jamming, multi-lingual slang, strident and subtle imagery. Her albums' social commentary and storytelling have incited debate on the "invigoratingly complex" politics of the issues she highlighted in the album, breaking taboos while the US Military was engaged in the 2003 Iraq War in the Middle East during the Bush administration.[12][46][202][203] Government visits to her official website following her debut album's release in 2005, and a US refusal to grant M.I.A. a travel visa coupled with her brief presence on the US Homeland Security Risk List in 2006 due to her politically charged lyrics led to her second album Kala being recorded in a variety of locations around the world.[13][196][204][205] The American Civil Liberties Union described the actions as part of a trend of ideological exclusion by the state which was detrimental to democracy by "censoring and manipulating debate".[206][207] In October 2016, she revealed on her Instagram that she had finally been approved for a US visa.[208][209]
M.I.A. attributes much of her success to the "homeless, rootlessness" of her early life.[231] Due to her and her family being displaced from Sri Lanka because of the Civil War, M.I.A. has become a refugee icon. The EMP Museum's 2008 Pop Conference featured paper submissions and discussions on M.I.A. presented on the theme of "Shake, Rattle: Music, Conflict, and Change."[254][255] She has used networking sites such as Twitter and MySpace to discuss and highlight the human rights abuses and war crimes that Sri Lanka is accused of perpetrating against Tamils, citing news articles, human rights group reports, government reports, her own experiences as a child and on her return to the island in 2001 to support calls for a ceasefire. M.I.A. has also used a great deal of tiger print and imagery, a symbol for the Tamil Tigers in both album artwork and music videos, such as seen in "Galang".[citation needed] Being the only Tamil widely known in Western media, M.I.A. has discussed how she feels a responsibility to represent the Tamil minority.[256] M.I.A. has spoken of discussions with witnesses during and after the war as reinforcing the need for international intervention to protect and provide justice to Tamil people.[252][257] As the 2009 Tamil diaspora protests gathered pace, she joined other activists in condemning the actions of the Sri Lankan government against the Tamil populace as a slow "systematic" genocide.[258][259][260] Telling TIME that she didn't see anything wrong in sticking up for 300,000 trapped and dying people, M.I.A. stated that international governments were privy to Sri Lanka's use of widespread censorship and propaganda on the rebellion during the island's civil war to aid its impunity in numerous atrocities on civilians, but had no will to end it.[252][261] Sri Lanka's Foreign Secretary denied that his country perpetrated genocide, responding that he felt M.I.A. was "misinformed" and that "it's best she stays with what she's good at, which is music, not politics."[262] She has also appeared on Real Time with Bill Maher, as well as other television networks, to discuss the issues in Sri Lanka and critique the Sri Lankan government and their censorship of the media.[citation needed]
In 2008, M.I.A. filmed from her Bed Stuy apartment window and posted on YouTube an incident involving a black man being apprehended by white policemen, which in light of the Sean Bell shooting incident, elicited commentary debating the force used for the arrest.[268][269] She has spoken of the combined effects that news corporations and search engine Google have on news and data collection, while stressing the need for alternative news sources that she felt her son's generation would need in order to ascertain truth.[270] She told Nylon magazine that social networking site Facebook and Google's development "by the CIA" was harmful to internet freedom.[271] Some criticised the claim as lacking detail.[11]
Following the 2011 United Kingdom anti-austerity protests and the 2011 London riots, during which her cousin's jewellery shop in Croydon was attacked and looted,[283] M.I.A. criticised the UK Government's response to the rioters as failing to address the root causes. She recalled the importance of a council funded youth worker she had in her school years and the use of tax money to incentivise a new business job creation program amongst the working class. She stated that the top forty companies in Britain who banked offshore should be made to pay taxes in the UK and "cut the poor people some slack."[284]
Chadly of Elgin, IL asks: I know you must be getting tired of What-was-it-like-working-with-so-and-so questions, but I noticed that you were recently working on a song with Tavis and Dan from Reel Big Fish. How/why did you hook up with the guys from RBF?
Some of Idaho's vaccine allotment was given to pharmacy companies CVS and Walgreens through a federal partnership program to vaccinate staffers at long-term care facilities and nursing homes. The pharmacies still have about 32,000 unused doses, apparently partly because demand for the vaccine among that group was lower than expected, Jeppesen said. About 12,000 of those doses are being transferred to the state's control and officials are working to get the rest of them made available for the current vaccination group, he said.
State health officials said the nursing homes and other long-term care facilities are working with the Health Department and pharmacies to set up more clinics so that second doses can be provided and to give first shots to any residents or staff who missed the first round of clinics.
Residents like Hoerrle have eagerly stepped up for the shot, hopeful for what herd immunity will mean for their life. And long-term care providers have jumped at the chance to reduce resident mortality and allow their facilities to leave the many challenges of a pandemic that has reduced occupancy rates, worsened staffing struggles and left as many as two-thirds of nursing homes at risk of closure. Preliminary data shows it's working.
The state health department is working to address concerns that the federal Centers for Disease Control and Prevention is not adequately representing the state's vaccine progress on a website where it releases vaccine data. The CDC data on Wednesday ranked North Carolina as the 11th slowest state in the country in administering doses per capita and underrepresented the number of doses North Carolina has administered to date by about 150,000.
At least half a dozen health districts across the state have already started giving vaccines to seniors living outside long-term care facilities, the Lincoln Journal Star reported. Officials in Lincoln and Omaha are still working to vaccinate healthcare workers and residents of long-term care facilities.
Pfizer Inc., which developed one of the current vaccines with German partner BioNTech, said in a statement that it appreciated Cuomo's praise and was open to working with the federal Health and Human Services Department on getting the shots as quickly as possible to as many Americans as it could.
Sefcovic said the priority now must be to gather data about the disease and its treatment on digital platforms on a Europe-wide scale so that health experts can compare the way the virus mutates, how the vaccines are working and whether testing standards are harmonized across the 27 member countries.
It was the first day people ages 70 and older could register to get the COVID-19 vaccine in the state. Until Wednesday, the Department of Health and Environmental Control had limited vaccine access to mostly healthcare workers and those living and working in long-term care facilities. Some people in those groups are still being vaccinated. 2ff7e9595c
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